“The verses are personal , cutthroat and literal. I talk about […] people stuck in the past and the frustration of not being able to choose the cards we get dealt with in life and not knowing whether things are going right or wrong, I’m getting better or worse. ‘am i coming or going cos i can’t tell.’”

“We felt it didn’t have enough grit — until now. We’re super proud of what the track has become; it sounds massive.”

“[…] when all you have is a tiny breadcrumb from someone, but you hold onto it, hoping it might one day turn into something bigger.”

“It follows my journey to where I am now—speaking on the abuse, standing in my truth, and calling on others to stand up for one another and themselves.”

“‘Honey Factory’ is a fever-dream fantasy of burning it all down. I was thinking about this idea of being a bee in someone else’s machine, and how luxury today feels dystopian.”

“It’s about releasing shame and reclaiming power, I want women to feel anger as something validating and energising, and I want men to know this song is calling on them to take responsibility.”

“I think the song, even though it stemmed from a sad time, is a reminder and dedication to anyone who’s ever felt lonely (all of us) and a reminder that we never are alone. Community is everything.”

“‘Come A Day’ lives in the space between hurt and healing. It’s about moving through pain while holding onto the belief that it won’t last forever.”

“It had to feel sexy, but with desperation underneath. It’s about performing confidence while pushing through your own inhibitions to forge a new sense of self and sensuality.”

“It’s about knowing you pushed someone to their limits, but also knowing it was true to who you are.”

“This EP is for yearners, for the insecure, and for anyone fighting battles in their head. I’ve learned so much about myself through writing it — including accepting the uglier parts of who I am.”

“It’s about not being ready to feel my feelings. Like life is happening on the other side of a heavy curtain — like each day is a drill for the real thing.”

“This song is about finding strength and safety in your own body. Haters will hate, but we keep going.”

“It’s just how I was feeling. A new year, fresh energy. I grew up watching Nigerian football — Okocha, Kanu, Taribo, Celestine — all these guys had speed. Speed makes me move. You can pause but never stop.”

“‘Medical Emergency’ was born after a life-altering breakup left me in A&E with actual heart problems. My coping mechanism has always been leaning into fantasy and comedy during dark times. The character in the song thinks all the nurses fancy them—it’s ridiculous, delusional, and fun.”

“It’s a nod to the mystery of where we come from and who we are. I wanted the record to start with the first breath of darkness into morning light… the old world into the new.”

“This EP feels like everything I felt all at once — the adrenaline, guilt, and loneliness that come with change. I’m really proud of it. This has been the most exciting and rewarding year of my life so far.”

“Honey, I’m Home is just my raw feelings — unfiltered. Some songs are so honest I thought, ‘this can never come out’. If you’ve dated me or hurt me, there’s probably a track about you. These are my secrets.”

“I’m a child again, riding in the back of a car. A hole in the roadside beckons me to enter. I slip away like condensation into a pastel world where dolphins swim through turquoise streams and fruit trees twist in bonsai proportions. Then I realize I’ve been left behind.”

“One summer at my grandparents’ house, we found a stray piglet on the road. Babe was my favourite film, and I had begged for a piglet that year. My grandpa, known for his practical jokes, might have orchestrated it—or maybe it was fate. They never made a third Babe film, but we lived it.”