“It’s about not being ready to feel my feelings. Like life is happening on the other side of a heavy curtain — like each day is a drill for the real thing.”

“This song is about finding strength and safety in your own body. Haters will hate, but we keep going.”

“We turned this small acoustic song upside down into this powerful statement. It’s about not being heard as a woman — being called ‘too much’ or ‘too loud’, and learning to stop shrinking yourself.”

“When you start to feel love again after being so hurt for so long, ahh! It feels so good but…it’s vulnerable and scary. The anxious/avoidant attachment cycle is being tested and put to work again.”

“[Local Girl, Always Tired] is about that feeling: being stuck in a small town that doesn’t align with who you are, dreaming of a bigger life, aching to escape.”

“‘Heavy, Why?’ is lyrically light and instrumentally heavy—a cryptic reflection on disembodiment, asking simply: why is it so agonizing to be turned away from the self?”

“‘Harta’ means ‘fed up’. It’s about leaving behind the noise and reclaiming your power — because walking away isn’t giving up, it’s freedom.”

“It’s a nod to the mystery of where we come from and who we are. I wanted the record to start with the first breath of darkness into morning light… the old world into the new.”

“This EP feels like everything I felt all at once — the adrenaline, guilt, and loneliness that come with change. I’m really proud of it. This has been the most exciting and rewarding year of my life so far.”

“Honey, I’m Home is just my raw feelings — unfiltered. Some songs are so honest I thought, ‘this can never come out’. If you’ve dated me or hurt me, there’s probably a track about you. These are my secrets.”

“I’m a child again, riding in the back of a car. A hole in the roadside beckons me to enter. I slip away like condensation into a pastel world where dolphins swim through turquoise streams and fruit trees twist in bonsai proportions. Then I realize I’ve been left behind.”

“The song came from that feeling of trying to connect with someone who was always just out of reach. Mike and I even layered in the sound of a New Zealand busy tone as a kind of sonic metaphor. It’s funny and devastating at the same time.”

“The ick isn’t just a feeling—it’s a deep, existential betrayal. It’s realizing they’re not the flawless masterpiece you invented in your head, but rather a person who says ‘boys will be boys’ unironically. There’s no recovering from it, so we figured we might as well write a song about it. Call it a public service.”

“We almost tried to squeeze it onto our EP back in 2022. But it felt too special—it deserved its own spotlight.”

“The song has a few meanings, but the one that connects them all is patience. In intimacy, relationships, life—being confident in communicating what you need. That’s reflected sonically too: confident, soulful, sexy, fun, joyful.”

“It’s the most typical love song you’ll find on the album. Written with hearts in my eyes, full of optimism about life and the future … like floating between two storms, momentarily forgetting the hardships and focusing on how sweet and warm it can feel to be in love.”

“it’s exciting baby u should come own it… I’m your trophy / come hold it.”

“the distortion of reality and the uncomfortability of death. It’s a reminder that anyone, including myself, is susceptible to distortion.”

“It’s about staying where you are when told to leave, making a fuss, and taking up more space. In Ireland, making music without fleeing abroad is already an act of stubborn optimism. Sure, sometimes you’re crying in Lidl or dreaming of Australia — but you’re still standing. That’s our kind of ‘big girl.’”

“If you get really good at telling the story of who you are, you become the story you told. I began asking: What’s the point of it?”