Bassist Ciara King describes the track as “an ode to every single burnout episode that any creative has ever had. It’s important to break the fourth wall sometimes and say, ‘this is really hard, isn’t it? You can be exhausted and still love your craft. This one goes out to all our burnt out pals. Keep going.”

“‘sportscar’ is an interesting addition to the deluxe because spittake almost had a different identity. At one point, I considered naming the album Check Engine Light On. I didn’t realize how central the theme of cars was until after writing it.”

“This is the most emotional project I’ve ever made. It holds my new grief, my longing, and all the tiny moments that pulled me through.”

Described as a love letter never sent, Call Me is raw and intimate, built on airy vocals and minimal, dreamy production. Anchored by the haunting line, “maybe someday I’ll love and he won’t have your face,” the song captures the ache of lingering love and the quiet hope of moving on.

“It had been so long since I’d felt that way. I romanticised everything — which I think is necessary to cope with the distance. We’re in different countries, speaking different languages, but we still share this bond.”

“I didn’t intend for something so intimate to become a song, but songs have a funny way of finding you and giving you language for the things you didn’t know you needed to name.”

“It’s about that moment when you’re not sure if your crush feels the same. You want to leave the party, but then they arrive, and suddenly you could stay all night.”

Slick, sultry, and no longer decoding mixed signals, Ron Dadon is done with ambiguity. On her bold new single “Say It,” she confronts the men who can’t decide if they want real love—or just the illusion of it.

“I think the stripped version does it justice while staying close to the demo. The new EP embraces the vulnerability at the heart of her songwriting, harkening back to her roots as a solo acoustic performer while casting the songs in a lush, organic light.