“It’s about not being ready to feel my feelings. Like life is happening on the other side of a heavy curtain — like each day is a drill for the real thing.”

“We turned this small acoustic song upside down into this powerful statement. It’s about not being heard as a woman — being called ‘too much’ or ‘too loud’, and learning to stop shrinking yourself.”

“[Local Girl, Always Tired] is about that feeling: being stuck in a small town that doesn’t align with who you are, dreaming of a bigger life, aching to escape.”

“It’s just how I was feeling. A new year, fresh energy. I grew up watching Nigerian football — Okocha, Kanu, Taribo, Celestine — all these guys had speed. Speed makes me move. You can pause but never stop.”

“‘Medical Emergency’ was born after a life-altering breakup left me in A&E with actual heart problems. My coping mechanism has always been leaning into fantasy and comedy during dark times. The character in the song thinks all the nurses fancy them—it’s ridiculous, delusional, and fun.”

“It’s a nod to the mystery of where we come from and who we are. I wanted the record to start with the first breath of darkness into morning light… the old world into the new.”

“Honey, I’m Home is just my raw feelings — unfiltered. Some songs are so honest I thought, ‘this can never come out’. If you’ve dated me or hurt me, there’s probably a track about you. These are my secrets.”

“One summer at my grandparents’ house, we found a stray piglet on the road. Babe was my favourite film, and I had begged for a piglet that year. My grandpa, known for his practical jokes, might have orchestrated it—or maybe it was fate. They never made a third Babe film, but we lived it.”

“We almost tried to squeeze it onto our EP back in 2022. But it felt too special—it deserved its own spotlight.”

“I hope that one day she will be able to hear these recordings. I hope that one day she, all of her co-defendants, and all of Palestine, will be free."

“it’s exciting baby u should come own it… I’m your trophy / come hold it.”

Built from a single resampled guitar take, “peaches” was inspired by a recording session canceled when a storm knocked out power in East Nashville. “The storm provided imagery to express feeling disconnected from close friends, and frustrated with external forces getting in the way of mending the relationship.”

“It’s about staying where you are when told to leave, making a fuss, and taking up more space. In Ireland, making music without fleeing abroad is already an act of stubborn optimism. Sure, sometimes you’re crying in Lidl or dreaming of Australia — but you’re still standing. That’s our kind of ‘big girl.’”

“I wasn’t honest about what I was feeling, or about my sexuality. This was my way of saying what I couldn’t at the time.”

“It’s about looking at the world through different lenses and accepting your own vision.”

“I was feeling lost, wondering if making music was the right thing to do in a time of turmoil, seeing villains rule the world and destroy the planet.”

“This song is about that moment when things have gone too far, and you know it’s about to go west — whether on a night out or in the world at large. The moody Memphis-to-jungle beat captures that feeling creeping up on you.”

“It’s about the pull between surrendering to the flow and holding on—realizing it’s just a matter of perspective to find understanding.”

“Confetti explores the pressures of growing up where marriage was expected young and homophobia was constant. I thought love meant house, marriage, dogs, kids… then realised I was chasing something that was never meant for me.”

“Sometimes I get into these moods where I feel like there will always be a gap between what I want to say, and what I actually end up writing. That night, I was comparing myself to Bob Dylan. And why not? I had to flip the thought: ‘Could he write one like me?’”